Club Ninja RSS

Club Ninja is a blog dedicated to the discussion, history and analysis of Blue Öyster Cult's eleventh studio album, Club Ninja.




Friends of Club Ninja:

Dream After Dream

Archive

Apr
30th
Wed
permalink
“When The War Comes” features a spoken word intro by “shock jock” radio personality Howard Stern.

“When The War Comes” features a spoken word intro by “shock jock” radio personality Howard Stern.

permalink
Club Ninja was released on Koch International. It was the band’s first album not released on Columbia.

Club Ninja was released on Koch International. It was the band’s first album not released on Columbia.

permalink
Blue Öyster Cult was often described as a “thinking man’s heavy metal group.” Club Ninja did nothing to dissuade this theory.

Blue Öyster Cult was often described as a “thinking man’s heavy metal group.” Club Ninja did nothing to dissuade this theory.

permalink
Fantasy novelist Eric Van Lustbader contributed lyrics to Club Ninja.

Fantasy novelist Eric Van Lustbader contributed lyrics to Club Ninja.

permalink
Allmusic said of Club Ninja: “Blue Öyster Cult’s gradual disintegration continued with Club Ninja, on which original member Allen Lanier was replaced by keyboard player Tom Zvoncheck, and several compositions from outside the band were featured, notably the Leggat Brothers’ “White Flags,” and a couple of generic metal exercises by Bob Halligan, who had contributed much the same sort of material to Judas Priest. On what should have been the positive side, Sandy Pearlman was back in the producer’s chair. But he did nothing to arrest BÖC’s decline into musical anonymity.”

Allmusic said of Club Ninja:

“Blue Öyster Cult’s gradual disintegration continued with Club Ninja, on which original member Allen Lanier was replaced by keyboard player Tom Zvoncheck, and several compositions from outside the band were featured, notably the Leggat Brothers’ “White Flags,” and a couple of generic metal exercises by Bob Halligan, who had contributed much the same sort of material to Judas Priest. On what should have been the positive side, Sandy Pearlman was back in the producer’s chair. But he did nothing to arrest BÖC’s decline into musical anonymity.”